Tuesday, November 7, 2017

Relationship Between Shots

https://www.youtube.com/watch?v=yVaUq98qWGE 

Moonlight – “Chair Revenge Scene”

[0:00] In this scene from moonlight, we are led by the character using a POV sequence with continuity editing. As Chiron walks into the school, the camera follows him though a continuous mid-low angle shot to emphasize his powerful rage. As he walks though the hallway, the camera shifts 180∘ facing the actor as he steadily continues to walk to class. As he opens each door, the camera changes location from either behind or in front of him, alternating between shots to have a smooth edit while maintaining screen direction. 

[00:43] As he walks into the classroom, we see him from a very low shot angle, continuously following the character’s movements from a long shot perspective. The camera slowly loses motivation towards the protagonist and shifts towards the bully in class. As Chiron grabs his chair, the camera focuses on the bully’s desk with his other friends right before Chiron hits him with the chair. The camera is motivated by this action to look at the bully lying injured on the floor. We then see Chiron from a low angle shot as he continues to assault the bully as he lies defenseless on the ground. The camera switches POV to the teacher who seems to be looking down at the bully before interrupting Chiron’s breakdown. As the teacher and classmates hold Chiron back from causing more damage, the camera alternates points of view between the defeated bully and Chiron

[01:12] As the next part of the scene continues, the camera introduces Chiron from a low angle walking down the stairs handcuffed with police at his side but slowly reaches a mid-angle shot to emphasize his loss in power. As he leaves the school we see Kevin, his “friend”, watch Chiron being forced into a cop car. The pov changes to Kevin being shot from a low angle and Chiron being shot from a high angle. This emphasizes the power shift between the characters as Chiron looks defeated by his own actions. As Chiron looks back at Kevin, the camera maintains the eyeline match. Since Chiron is sitting down in the cop car at a shorter height, he looks up towards Kevin as Kevin does vice-versa. [01:46]

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